A Drop of the Hard Stuff written by Lawrence Block (2011): It's been 35 years (!) since Block's hardboiled Manhattan-based detective Matt Scudder came on the scene. Scudder's adventures have been one of the high points of detective fiction over those years, taking him through near-fatal drinking bouts to hard-won and hard-maintained sobriety, all while solving cases the police have given up on.
Herein, Block returns to a format he first used with Scudder in When the Sacred Ginmill Closes, with the present Scudder narrating a much earlier case. We go to Scudder's first year of sobriety in the early 1980's, just after the events of Eight Million Ways to Die. Sympathetic Irish gangster Mick Ballou cameos as the person to whom Scudder tells the story.
An acquaintance from Scudder's childhood comes back into his life, a small-time hood who's gone sober and now, per the Twelve Steps of Alcoholics Anonymous, is in the 'Amends' phase of his eternal recovery. But someone kills him. His guilt-stricken sponsor, who'd pushed him to work fairly quickly through the 12 Steps, hires Scudder to find out who and why. And off we go.
Block does a lovely job of fleshing out Scudder's early-recovery self throughout the narrative. We also get an in-depth look at the workings of Alcoholics Anonymous and those who've sought it out to save themselves. Booze is as much a nemesis as the hidden murderer for Scudder, and the two dovetail neatly in a climactic sequence.
The ending may not satisfy everybody -- there is closure, but not of the bow-wrapped, justice-always-prevails variety. It satisfied me, but, then, I'm always glad to reacquaint myself with Scudder, and after the super-smart serial killer adversary of a couple of the most recent Scudder novels, I liked seeing things return to a more normative scale. Highly recommended, though it you've never read a Matt Scudder mystery before you should probably start at the beginning with A Stab in the Dark and work your way forward.
Horror stories, movies, and comics reviewed. Blog name lifted from Ramsey Campbell.
Thursday, September 29, 2011
Conan in the Hands of an Angry Thesaurus
The Chronicles of Conan Volume 2: Rogues in the House and Other Stories, written by Roy Thomas, illustrated by Barry Windsor-Smith, Sal Buscema and Others (1970-71; collected 2003): This second volume of Thomas and Windsor-Smith's pivotal Conan Marvel comic-book work of the early 1970's offers one fairly faithful adaptation of a Robert E. Howard Conan novelette (the eponymous "Rogues"), a lovingly rendered adaptation of short story "The Frost-Giant's Daughter", and several other stories of young Conan as he wanders around thieving, getting arrested, escaping arrest, and fighting wizards, gods and monsters.
Windsor-Smith's art grows more splendid and idiosyncratic throughout this volume as he changes from Kirbyesque super-hero artist to lush, pre-Raphaelite-influenced illustrator at a fairly astonishing rate of progression. He wouldn't stay on Conan much beyond this point, but he'd remain the acknowledged, definitive comic-book Conan artist ever afterwards, though John Buscema would soon surpass him in page count if not in overall effect.
Writer Roy Thomas thuds along as if he were paid by the word (which he wasn't). He'd work on Conan's comic-book adventures at Marvel for a decade and become the "definitive" Conan comic-book writer through sheer weight of output. Occasionally, the artwork creaks and shudders under the weight of all that obscuring prose. Uk wuk. Recommended.
Windsor-Smith's art grows more splendid and idiosyncratic throughout this volume as he changes from Kirbyesque super-hero artist to lush, pre-Raphaelite-influenced illustrator at a fairly astonishing rate of progression. He wouldn't stay on Conan much beyond this point, but he'd remain the acknowledged, definitive comic-book Conan artist ever afterwards, though John Buscema would soon surpass him in page count if not in overall effect.
Writer Roy Thomas thuds along as if he were paid by the word (which he wasn't). He'd work on Conan's comic-book adventures at Marvel for a decade and become the "definitive" Conan comic-book writer through sheer weight of output. Occasionally, the artwork creaks and shudders under the weight of all that obscuring prose. Uk wuk. Recommended.
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