Falling Angel by William Hjortsberg (1978)

Falling Angel by William Hjortsberg (1978): Top-notch melding of the horror and hard-boiled detective genres by Hjortsberg, whose bibliography seems to contain more unproduced screenplays than anything else. He did adapt this novel into the 1987 movie Angel Heart (a.k.a. the movie with controversial nude sex scenes featuring The Cosby Show's Lisa Bonet playing a voodoo priestess), though there are significant differences between the two works. In terms of location, the novel stays pretty much in New York while the movie headed to New Orleans, I'd assume to make the voodoo action more... believeable?

Hjortsberg nails the cynical prose-poetry of the classic hard-boiled detective novel, with P.I. Harry Angel handling the world-weary, occasionally cruel but mostly well-meaning first-person narration. Angel repeatedly comes off as the world's oddest New York City tour guide as we move in and around the New York of the late 1950's.

A mysterious client hires Angel to track down a popular singer in the Frank Sinatra mode who was supposed to be in an upstate mental asylum after injuries sustained during World War Two left him mentally and physically disabled. The only problem is, the singer -- stage name Johnny Favorite -- isn't at the asylum, and hasn't been for years. And the trail is cold. But as Angel pursues Favorite, everything starts to heat up, and people start dying in increasingly horrible ways.

Variations are worked on the usual suspects and usual characters of hardboiled detective fiction and film, from shadowy businessmen through shady lawyers to jilted heiresses. As Angel's case proceeds, odder characters arise, and previously introduced characters get odder. There will be voodoo. There will be Satanism. There will be horoscopes and morphine addicts and one weird trip to the theatre.

Hjortsberg's period and genre-specific style works wonderfully throughout Falling Angel, falling always just on the serious side of near-parody. Angel's a tough customer with no friends and his own troubled past, but like all great hardboiled detectives, his essential quality is absolute stubbornness. He'll solve the case regardless of the cost. And what a cost! Highly recommended.

Horror Comics Old and New

John Constantine Hellblazer: Reasons to be Cheerful: written by Mike Carey; illustrated by Leonardo Manco, Giuseppe Camuncoli and Lorenzo Ruggiero (2004-2005; collected 2007): Excellent but frustratingly short collection of Constantine stories really ends halfway through an arc. This is something DC used to do a lot with its adult-oriented Vertigo collections, I'd assume in order to squeeze as much money as possible out of the trade paperback reprint market. They're now re-collecting Constantine's Vertigo title in lengthier collections from the start of the comic. I'd assume this arc and the subsequent The Gift will appear in one reasonably priced volume some time in about 2016.

Carey's an excellent writer, and really the second-last great writer of Constantine's now-cancelled Vertigo Universe title. The art by Leonard Manco and others is solid and moody, and the horrors suitably horrific. Of course, Constantine is Odysseus-like in his on-going ability to get everyone associated with him killed. As the main arc partially collected here deal with a threat to Constantine's relatives, friends, acquaintances, and people and things he only met once, a high death toll is assured. Who will survive and what will be left of them? Recommended, but you should probably wait for a new, more complete collection.

The EC Comics Library: Shock SuspenStories Volume 2:  written by Al Feldstein and Ray Bradbury; illustrated by Johnny Craig, Wally Wood, Joe Orlando, Jack Kamen, Reed Crandall, George Evans and others (1952-53; collected 2007): Shock SuspenStories was the Whitman's Sampler of EC Comics during that comic-book company's brief, brilliant run as the best comic-book company in the United States in the early 1950's. Stories reflected the breadth of EC's comics line, from social agit-prop stories (known as "preachies") to science fiction, horror, and suspense.

If one wants to see EC in all its glory, Gemstone's over-sized SuspenStories collections are the way to go. Grotesque horror stories with terrible puns in the title include "Beauty and the Beach" (illustrated by Jack Kamen), in which two jealous husbands enact ridiculous yet appropriate vengeance on their sunbath-loving wives, and "Seep No More", a riff on Edgar Allan Poe's "The Tell-tale Heart."

There are also two excellent adaptations of Ray Bradbury stories here -- "The Small Assassin" and "The October Game", both suitably under-stated and horrifying in their implications. Notable "preachies", which were pretty much always illustrated by the great Wally Wood, include "Fall Guy," a gimmicky story with a visual bit riffed upon in Watchmen; "Came the Dawn!", a loopy ax-murderer tale with the sexiest woman Wood ever drew for EC; and "...So Shall Ye Reap!", a justifiably much-lauded tale with dual, unreliable narrations.

Also included is artist Reed Crandall's terrifically grotesque "Carrion Death," a story of murder and vengeance meted out by the natural world. We also get not one, not two, but three stories about Martians -- and only two of those Martian races hostile -- and for unintentional laughs the bizarre and ridiculous anti-drug "preachie" "The Monkey," in which recreational marijuana usage inevitably leads to murder, as it so often does. In all, highly recommended.