Friday, May 10, 2019

Hereditary (2018)

Hereditary (2018): written and directed by Ari Aster; starring Alex Wolff (Peter), Gabriel Byrne (Steve), Toni Collette (Annie), and Milly Shapiro (Charlie): As in The Shining or The Exorcist, Hereditary puts a family under malign supernatural pressure and sets the burner to 'Boil.'

Things start slowly but eerily. You get a somewhat weird adolescent daughter (a terrific, odd Milly Shapiro). You get a stressed-out Mom (Toni Collette, superb as usual). You get a well-meaning but somewhat ineffectual Dad (Gabriel Byrne, channeling Donald Sutherland in Ordinary People). And you get a really stressed out teen-aged son (Alex Wolff).

Around the 40-minute mark, something awful happens. Is it just random, horrible luck? Is the supernatural at work here or are we seeing a family whose members -- especially mother and son -- have serious, unresolved psychological issues?

Well, the next 80 minutes or so provide the answer to those and other questions. Hereditary does a nice job of eventually inverting our assumptions about who or what is responsible. It also has more beheadings than A Tale of Two Cities. Along with graveyard robbing, naked cult members leering from the shadows, mysterious lights, impotent authorities, ghostly drawings and writings, people burning alive, and so on, and so forth.

Told in an almost stately, deliberate manner, Hereditary nonetheless traffics in the stuff of Gothic nightmares as it draws to its tense conclusion. It may be too deliberate for some -- I found it exhilarating. I hope to see more from writer-director Ari Aster. He treats both the horror genre and the tropes he used with respect and diligence. Highly recommended.

Monday, May 6, 2019

Unfriended: Dark Web (2018)

Unfriended: Dark Web (2018): written and directed by Stephen Susco; starring Colin Woodell (Matias), Stephanie Nogueras (Amaya), Betty Gabriel (Nari), Rebecca Rittenhouse (Serena), Andrew Lees (Damon), Connor Del Rio (AJ), and Savira Windyani (Lexx):

Effective bit of social-network horror, to be watched only on a big screen or two feet away from a computer screen. Or by someone with a really big TV and really good eyesight! This second Unfriended film from the ubiquitous Blumhouse explores paranoia and conspiracy theories and privacy issues where the first explored on-line humiliation and bullying. 

The leads are all likable and believably competent in the face of malign hyper-competence. There are genuine shocks amongst the jump-scares. I'm actually looking forward to more movies in this franchise, though I have a feeling that the next one may take place entirely on smartphones. Recommended.