Thursday, May 16, 2019

Disappearance at Devil's Rock (2016) by Paul Tremblay

Disappearance at Devil's Rock (2016) by Paul Tremblay: In his follow-up to A Head Full of Ghosts, Paul Tremblay again walks a line between supernatural and natural horror with this story of a missing teen in small-town Massachusetts.

Troubled teen Tommy Sanderson -- introvert, zombie-obsessed -- disappears one night while out with his two best friends. He seems to have disappeared into the (real) Borderland State Park. The questions of 'why' and 'how' and 'where' will occupy the rest of the novel. 

His best friends Luis and Josh are clearly hiding something. His sister seems to know something. And his mother is also haunted by memories of his father, who deserted them and then disappeared himself, into death after a single-vehicle accident.

Soon, mysterious apparitions (if they are apparitions) and messages start to appear. The mother has a vision of a gruesomely disfigured Tommy. And they everything seems to focus on a Borderland landmark called Devil's Rock.

Except it isn't really called Devil's Rock -- that's the name Tommy and his friends gave to it, without any real provenance. A story about the Devil lurking in the park since time immemorial also seems to be dubious. But strange things keep happening. And getting Luis and Josh to tell the truth about that night seems to become more and more difficult as Tommy's disappearance stretches on.

Tremblay's novel ends up being as much about the sort of secrets that can devastate families, and the sorts of problems that can snowball into horror for teenagers. There's more than a whiff of Lord of the Flies in some of the revelations towards the end of the novel -- but touches of what may or may not be the supernatural throughout also suggest a certain inevitability to Tommy's narrative. 

The novel does a nice job of creating believable human evil, in teens or adults, without giving us anything along the lines of teen psychopaths and bad seeds. The entire enterprise tilts a bit more towards sorrow than horror, though there are several scenes of excruciating awfulness. 

Tremblay notes in his afterword that the title and some of the novel's concerns are a nod to Picnic at Hanging Rock, with its mystery surrounding the disappearance of a school teacher and several students in Australia. Tremblay's book is ultimately more concrete than that mysterious film, and somewhat more conventional. Recommended.

Monday, May 13, 2019

Us (2019)

Us (2019): written and directed by Jordan Peele; starring Lupita Nyong'o (Adelaide Wilson), Winston Duke (Gabe Wilson), Shahadi Wright Joseph (Zora Wilson), Evan Alex (Jason Wilson), Elizabeth Moss (Kitty Tyler), and Tim Heidecker (Josh Tyler): 

Jordan Peele again demonstrates an impressive ability to rework genre tropes for shock and social commentary. Here, we start with the doppelganger and end with... well, that would be telling. Peele's first two movies, this and Get Out (2017), have melded genre and social commentary, and been critically and financially successful. It seems to me that Peele is still developing, though, that his best work lies ahead if he stays the course.

The childhood trauma of Lupita Nyong'o's character bleeds into the present when she and her family (the charming Winston Duke, Shahadi Wright Joseph, and Evan Alex) visit her grandparents' cottage in coastal California for the first time in decades. Something happened in a creepy house of mirrors at the local amusement park long ago. Now it's about to happen again.

Nyong'o is terrific as a dominating mother and wife. Winston Duke makes an affable Everydad forced to summon reserves of courage and ass-kicking to protect his family. And daughter Shahadi and son Alex are no slouches when it comes to monster-fighting. If the things they face really are monsters.

With about 25 minutes to go, Us veers into the territory of the totally loopy. To be fair, so did many Twilight Zone episodes in the final Act. There's maybe a bit too much evident straining to make the social commentary explicit and concrete here. But at least there is social commentary. And rabbits! Keep an eye on the videos on that shelf at the beginning -- they are relevant! Recommended.