Sunday, September 9, 2018

Mr. Gaunt and Other Uneasy Encounters (2008) by John Langan

Mr. Gaunt and Other Uneasy Encounters (2008) by John Langan, containing the stories "On Skua Island" (2001), "Mr. Gaunt" (2002), "Tutorial" (2003), "Episode Seven: Last Stand Against the Pack in the Kingdom of Purple Flowers" (2007), and "Laocoon, or, The Singularity" (2008):

John Langan's 2002 novella "Mr. Gaunt" is on my all-time list of the most startling 'first-time' reading experiences I've had with an author. It's a great, disturbing piece of horror that acknowledges the past (especially Henry James explicitly and J. Sheridan LeFanu implicitly) while being a fresh and contemporary take on venerable horror tropes. Langan makes the skeleton scary again. How improbable is that?

"Mr. Gaunt" was only Langan's second published story, but it signaled the arrival of a new master of horror. "On Skua Island" was his first work, a slightly more conventional take on horror tropes with a frame story that's as old as ghost stories and as post-modern as any nod to the storyness of a story. 

There's only one problem with Langan's first collection. In going with a chronological approach, it puts the two most horrifying stories first. It's a problem that's easily rectified by the reader, of course -- start with "On Skua Island" but move "Mr. Gaunt" to the end of your reading of the five stories included in the collection. It's really a show-stopper.

"Tutorial" is a nice piece of academic horror/satire that takes shots at ideologically stagnant Creative Writing courses and the omnipresence of Strunk and White's The Elements of Style. Kudos, I say! Langan was and is in academia, and his observations about the terrors of the Ivory Tower are keenly observed and often darkly hilarious.

"Episode Seven: Last Stand Against the Pack in the Kingdom of Purple Flowers" is both the most pulpy and the most avant-garde of the stories included herein. It's a collaboration between John Langan and his 10-years'-earlier self. 

It's a propulsive running battle between a man and a woman on one side and a pack of mysterious monsters on the other. In media res is the order of the day, along with unanswered questions about the nature of the apocalypse these two humans have found themselves trapped within, all served up with the final cherry of an ending that offers no real closure. It's very enjoyable but also almost weightless.

"Laocoon, or, The Singularity" is the most recent of the stories in the collection. It's also previously unpublished, so, Bonus Content! Its portrayal of a depressed, dejected All But Dissertation (ABD) fine arts student trapped in the Hell of Sessional Lecturers rings absolutely true, says I, who once resided in English Literature's version of that Hell. 

The novella manages the difficult task of moving a reader's feelings for the protagonist from sympathy to pity as the unacknowledged horror of his situation grows. The end can be taken straight up or as an allegory on self-destructiveness -- or as an allegory on the transformations that can be wrought on someone with an undiagnosed and unrecognized mental illness that gradually eats away the better self.

The collection also includes a generous Notes section by Langan on the origins and process of the stories. It's a fine collection overall, and you'll only heighten its overall effect if you leave "Mr. Gaunt" for last. Highly recommended.

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