It (1990): adapted from the 1986 Stephen King novel by Tommy Lee Wallace and Lawrence D. Cohen; directed by Tommy Lee Wallace; starring Harry Anderson/ Seth Green (Richie Tozier), Dennis Christopher/ Adam Faraizi (Eddie Kaspbrak), Richard Masur/ Ben Heller (Stanley Uris), Annette O'Toole/ Emily Perkins (Bev Marsh), Tim Reid/ Marlon Taylor (Mike Hanlon), John Ritter/ Brandon Crane (Ben Hanscom), Richard Thomas/ Jonathan Brandis (Bill Denbrough), and Tim Curry (Pennywise):
It (2017): adapted by Chase Palmer, Cary Fukunaga, and Gary Dauberman from the novel by Stephen King; directed by Andy Muschietti; starring Bill Skarsgard (Pennywise), Jaeden Lieberher (Bill), Jeremy Ray Taylor (Ben), Sophia Lillis (Bev), Finn Wolfhard (Richie), Chosen Jacobs (Mike), Jack Dylan Grazer (Eddie), and Wyatt Oleff (Stanley):
The 1990 miniseries adaptation of Stephen King's It is more faithful to the book in many ways, even allowing for the fact that the miniseries tells the whole story while the 2017 movie deals only with the childhood sections of the novel. In the miniseries, British Columbia plays Derry, Maine while the real-world locations for the movie are mostly located in Ontario, Canada. Hmm.
The faithfulness of the miniseries does lead to a certain breathlessness at points, as the filmmakers cram an astonishing amount of the novel into about three hours. Why didn't ABC make It a six- or eight-hour miniseries? No idea. Without commercials, the miniseries clocks in at about 187 minutes, less than an hour longer than the 2017 movie while tackling the entire novel. That's some impressive condensation!
The performances by both the children and the adults the children grow into are good, for the most part, with Brandon Crane as a young Ben Hanscom especially seeming truer to Ben's physical appearance in the book than Jeremy Ray Taylor in the 2017 movie. We will not go on at length about the ponytail sported by Richard Thomas as the adult Bill Denbrough except to say that it is immensely distracting. Tim Reid is especially impressive as the adult Mike Hanlon. Yes, Venus Flytrap from WKRP. John Ritter is also pitch-perfect as the adult Ben Hanscom.
One of the oddities of the miniseries is that Harry Anderson as the adult Richie Tozier towers over the other characters (Anderson is 6'4" while Ritter was 5'11" and Thomas is a shade below 5'9"), which seems weird if one has read the novel. Ah, Hollywood.
Movie It's Jeremy Ray Taylor's Ben Hanscom seems about six inches too short for his character, and lacks the character-defining sweatshirts of his novel and miniseries counterparts, though only the novel explains the significance of a 'fat' kid wearing sweatshirts even in the hottest weather. Both miniseries and movie could use more character-building like this, as just the sweatshirt stuff in the novel makes Ben more poignant while also showing the young Richie Tozier's combination of insight and crude bonhomie.
The miniseries also hews closer to the age of the children in the novel while the movie up-aged them by a couple of years. Tim Curry's Pennywise is a brasher, less physically startling Pennywise than Bill Skarsgard's, though neither actor really captures the novel's idea that Pennywise should be appealing at first meeting. Their Pennywises are just creepy and scary all the time, a decision made by the directors, I'd assume. An ingratiating John Candy would have probably made the best Pennywise.
The miniseries leaves the truly cosmic origins of It (the creature) mostly untouched. Supposedly, the next movie will actually delve into this. I'll be interested to see how that goes. Both the movie and the miniseries do admirable jobs of adapting King's work. I'd guess that most people who saw the miniseries last when it aired probably remember it as beginning, as with the movie, with Georgie's fateful encounter with Pennywise in the storm drain.
Not so! And it's not a puzzling choice, as the miniseries has to set up the dual timelines of its plot immediately. But it did seem a little Mandela Effect for a moment as I rewatched the miniseries for the first time in 28 years. Live and learn. Both miniseries and movie: recommended.
It (2017): adapted by Chase Palmer, Cary Fukunaga, and Gary Dauberman from the novel by Stephen King; directed by Andy Muschietti; starring Bill Skarsgard (Pennywise), Jaeden Lieberher (Bill), Jeremy Ray Taylor (Ben), Sophia Lillis (Bev), Finn Wolfhard (Richie), Chosen Jacobs (Mike), Jack Dylan Grazer (Eddie), and Wyatt Oleff (Stanley): Solid, occasionally inspired adaptation of Stephen King's enormous 1986 novel clearly aims at the mass market and, based on that stunning box-office performance, succeeds. One loses some of the best elements of the novel because of the crowd-pleasing approach. On the other hand, a halfway faithful adaptation of (half of) IT would be longer than Berlin Alexanderplatz.
The filmmakers ditch the three-timeline structure of the novel (roughly, for those counting at home, the 1950's narrative, the 1980's narrative, and Mike Hanlon's archival narrative that fills in the history of Derry, Maine as Mike moves closer and closer to the 1980's narrative).
Instead, we get It Chapter 1, set in autumn 1988 and then summer 1989. That moves It up from its 1950's/1980's original timeline so as to avoid the entire movie being a period piece. King has done this with his own novels (The Stand was jiggered forwards in time for its 'Director's Cut' 1990 edition, for instance), so no big whoop. Well, except for the chuckleheads who immediately started comparing It to Stranger Things instead of the other way around. Idiots.
I do wonder if there's a 3-hour director's cut of It waiting on the shelves. Changes to the late-summer portion of the narrative almost suggest that a big chunk of material was filmed and then edited out so as to keep the movie below 2 1/2 hours. The kids lose a certain amount of that Hollywood touchstone AGENCY in this version, not so much planning their engagements with It as running willy-nilly into them.
Unfortunately, the communal bonding elaborated upon in the novel is here reduced to one happy set-piece (swimming at the quarry) and one grim one (cleaning Bev's bathroom of spectral blood that only the kids can see). Gone, too, the Native-American smokehouse vision of It's arrival on Earth, apparently shunted to Chapter Two.
There are some decisions -- especially to temporarily make Bev into Penelope Pit-stop near the end -- that suggest the film-makers are setting up things to be paralleled in the next movie that are not paralleled in the novel (specifically, using the wife of one of the grown-up kids as bait, and even subjecting her to It's mysterious, brain-frying Deadlights). I'd have also liked more emphasis on the rotten nature of Derry in general.
And Mike Hanlon really gets hosed, though again this looks like a decision glancing forward to a greater role in Chapter Two. The monsters and the dread are here. And Pennywise is creepy, though neither the filmmakers nor Pennywise-portrayer Bill Skarsgard seem to have the slightest idea how to make Pennywise appealing as a prelude to the revelation of his/Its true nature. He/It is just too scary to draw anyone into his web. The kids, though -- the kids are dynamite. Recommended.
