Monday, December 3, 2018

The Masque of the Red Death (1964)

The Masque of the Red Death (1964): adapted by Charles Beaumont and R. Wright Campbell from stories by Edgar Allan Poe, including "Hop Frog" and "The Masque of the Red Death"; directed by Roger Corman; starring Vincent Price (Prince Prospero), Hazel Court (Juliana), Jane Asher (Francesca), and Skip Martin (Hop Toad): 

 "And Darkness and Decay and the Red Death held illimitable dominion over all." - Poe, "The Masque of the Red Death."

Low-budget horror impresario Roger Corman got more money than he ever had before for this loose adaptation of a couple of Edgar Allan Poe stories. Further aided by British film credits and leftover sets from Becket, Corman made his horror masterpiece. It certainly didn't hurt that the great cameraman and later director Nicholas Roeg was cameraman for the movie.

Above all, the movie looks great. The set design and  costumes are impressively bright, fanciful, and intermittently bleak when we visit the blasted heaths of the medieval Spanish countryside. 

Set some time during the Middle Ages in Catalan, The Masque of the Red Death focuses on the sinister, Satan-worshiping local lord of the manor, Prince Prospero. The plague of the Red Death has fallen upon the countryside. So Prospero retreats to his castle with his favoured nobles and entertainers. And with a pure and virtuous peasant girl he has kidnapped, along with her lover and her father. 

Prospero derives entertainment from the debasement and murder of those around him. The virtuous peasant girl (played solidly by Hazel Court) is someone to 'break.' But her faith in God impresses him, in part because of how seemingly misplaced that faith is in the plague and poverty and violence ravaged country side.

And so begins the Masque of the Red Death, the worst costume ball ever, at least from a survival standpoint. The Red Death isn't simply a disease -- it's a being. And it has promised deliverance to the peasant girl and doom for Prince Prospero and his guests. Prospero has faith that Satan will protect him. We'll see how that goes.

The Masque of the Red Death is a great and poignant spectacle, capped with a couple of show-stopping scenes. Back to back. I guess the second scene would have to be a show-stop-maintaining scene, as the show is already stopped. Vincent Price is magnificent as Prospero, a truly awful being with a certain bleak and oily charm. Skip Martin is also good as Poe's vengeful jester-dwarf Hop Toad. Highly recommended.

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