Briefer's first Frankenstein, his origin relocated to 1940, was somewhat like Shelley's original -- a highly articulate monster who worked to keep his creator alive while simultaneously wreaking havoc on everyone and everything else. In one gonzo bit of business, Frankenstein creates a crocodile-headed monster to fight his original creation. As this battle will take place on top of the Empire State Building, I'm thinking he should have gone with something other than a crocodile hybrid.
Over the next 13 years, Briefer's monster would be rebooted twice, once as the lovable star of a humour comic book, once as an inarticulate, murderous, lonely brute. Yep, that's pretty much 90% of the history of Frankenstein riffs all in one comic-book series. Briefer, a chameleonic artist, altered both art and writing to suit each phase of his creature's comic-book adventures, though in all three cases, the creature's nose would be located freakishly high on its face.
A terrific snapshot of a little-known series, impeccably produced by Craig Yoe and his people -- though I'd have traded the over-sized pages for smaller pages and more stories. Highly recommended.
