Dagon (1968) by Fred Chappell: Chappell has long been a respected Southern writer with academic ties. But he's also been a periodic contributor to the vast shared universe inspired by the writings of H.P. Lovecraft. Dagon is his one novel-length foray into Lovecraftiana. And boy, it is not what one expects, not hardly!
Dagon begins by looking like one of those Lovecraft homages (think Stephen King's "Jerusalem's Lot") in which a man returns to his ancestral home to discover that he has some family tie to horrifying secrets. The HPL Ur-text for this is "The Rats In the Walls." Our preacher-protagonist returns to the family farm in the American South to work on a theology text. His luminous, often sarcastic wife accompanies him.
Almost immediately, our protagonist begins to be haunted by strange dreams and visions and compulsions, all tied to the tenant family also living on the rural property. They're vaguely fishy looking. Literally.
Someone familiar with HPL's universe will almost immediately think, "Oh oh. They've got the Innsmouth Look!" Yes. Yes they do. And this will indeed prefigure what comes, though not in any 'normal' way when it comes to stories that nod to HPL's Deep Ones.
About a third of the way through this short novel, things make a dramatic and unexpected shift into something startling and horrible. I did not see it coming. Probably, neither will you. What follows is something that still seems radical for a Cthulhu Mythos text, if a Cthulhu Mythos text this is. Certainly the eponymous Lovecraftian water god, borrowed from the Babylonians by HPL, is involved, as are mentions of Lovecraftian texts and deities. And an early HPL tale bears the same title.
What occupies Chappell in the last two-thirds of Dagon is an exploration of the aberrant psychology of someone trapped by an ancestral association with non-traditional Evil, gradually stripped of all free will and agency, gradually broken down into a sacrificial victim. But what kind of sacrifice? Telling more would be telling too much. It may not even be Objective Evil -- it may just be Subjective Evil and Objective Other.
Dagon is not for everyone. It is excruciating, depressing, and horrifying. It takes some of its inspiration from the mental transmogrifications we see in the narrator at the end of "The Shadow Over Innsmouth" and then goes far beyond that, beyond even the dismal mental destruction of the narrator of the aforementioned "The Rats In the Walls."
Throughout this dark descent, we're guided by third-person narration, not the first-person narration of the above two stories. Chappell maintains a bit of narrative distance so as to allow for a more clinical observation of a mind in the midst of destruction and debasement. And when the ending comes -- well, it too is unexpected and very much both a nod to HPL and a sort of perfection of the ruthless cosmicism of some of HPL's works.
This is a brilliant, disturbing, exhausting novel. Rewarding to the extreme, but I couldn't blame anyone for throwing it into the fireplace without finishing it. This is about as dark as it gets. Highly recommended.
Cthulhu's Reign (2010): edited by Darrell Schweitzer:
- The Walker in the Cemetery by Ian Watson
- Sanctuary by Don Webb
- Her Acres of Pastoral Playground by Mike Allen
- Spherical Trigonometry by 朝松健 [as by Ken Asamatsu]
- What Brings the Void by Will Murray
- The New Pauline Corpus by Matt Cardin
- Ghost Dancing by Darrell Schweitzer
- This Is How the World Ends by John R. Fultz
- The Shallows by John Langan
- Such Bright and Risen Madness in Our Names by Jay Lake
- The Seals of New R'lyeh by Gregory Frost
- The Holocaust of Ecstasy by Brian Stableford
- Vastation by Laird Barron
- Nothing Personal by Richard A. Lupoff
- Remnants by Fred Chappell
Entertaining anthology goes with the depressing scenario 'What happens AFTER H.P. Lovecraft's Great Old Ones return to reclaim the Earth?' and runs with it in enjoyable albeit often oppressively depressing ways. But some of the stories contain faint hope, and the overall selection ranges broadly from Heist Comedy ("The Seals of New R'lyeh" by Gregory Frost) to hard science fiction ("Nothing Personal" by Richard A. Lupoff) to post-modern stream-of-consciousness ("Vastation" by Laird Barron).
Along the way, stories attempt to portray what the world post-Cthulhu would look like. A writhing mass of endless screaming meat? A patchwork of broken reality? A maze haunted by sadistic smaller versions of Cthulhu? A world in the process of being changed to suit its new masters, the Moon already transformed into a red and glaring five-pointed star in the squirming heavens? A seemingly normal neighbourhood that gets less normal the closer one looks? A baleful orb of anti-matter?
Yes, all this and more!
The stories are all at least competent. Many are inspired. "The Shallows" by John Langan is a modern classic, I think, counterpointing the mundane and the weird both in setting and in the (one-sided) conversation a survivor of the rise of Cthulhu tells to, well, an unusually crabby house-guest. Fred Chappell's "Remnants" offers a slice of hope in what sometimes seems like the first part of an epic, hard-science-fiction series. Recommended.
Black Wings [of Cthulhu] Volume 4 (2015) edited by S.T. Joshi, containing the following stories:
Artifact by Fred Chappell
Half Lost in Shadow by W. H. Pugmire
The Rasping Absence by Richard Gavin
Black Ships Seen South of Heaven by Caitlín R. Kiernan
The Dark Sea Within by Jason V Brock
Sealed by the Moon by Gary Fry
Broken Sleep by Cody Goodfellow
A Prism of Darkness by Darrell Schweitzer
Night of the Piper by Ann K. Schwader
We Are Made of Stars by Jonathan Thomas
Trophy by Melanie Tem
Revival by Stephen Woodworth
Contact by John Pelan and Stephen Mark Rainey
Cult of the Dead by Lois H. Gresh
Dark Redeemer by Will Murray
In the Event of Death by Simon Strantzas
The Wall of Asshur-sin by Donald Tyson
Fear Lurks Atop Tempest Mount by Charles Lovecraft
Maybe not quite as good as previous installments in the Black Wings series ('of Cthulhu' is added in each case for the paperback publication; 'Black Wings' comes from a Lovecraft quotation about cosmic horror, a quotation that doesn't contain 'of Cthulhu,' whose wings I've always figured as being a dark, weird green, in case you were wondering).
Or maybe I read too many new Cthulhu anthologies in too short a time.
There are stand-outs here from Kiernan, Brock, and Schweitzer. The latter's story features the real John Dee on the last day of his life, and it's a solid piece of cosmic quasi-history. The stories range from just this side of Lovecraftian pastiche to more elusive, allusive pieces of cosmic horror.
One thing I'll note again and again is that Lovecraft's literary children tend to be a lot more depressing than their progenitor. Several stories here feature the return of the Great Old Ones and the destruction of humanity, something Lovecraft never went through with. The depiction of these apocalypses never seems to equal what I imagine in my mind, leaving me a bit cold when it comes to the depiction of The Return of the Great Old Ones. Oh, well. Recommended.
