Showing posts with label life after death. Show all posts
Showing posts with label life after death. Show all posts

Wednesday, May 23, 2018

Flatliners (1990)

Look out! There's a train coming!
Flatliners (1990): written by Peter Filardi; directed by Joel Schumacher; starring Kiefer Sutherland (Nelson), Julia Roberts (Rachel), Kevin Bacon (David), William Baldwin (Joe), and Oliver Platt (Steckle): I guess if you're going to kill yourself and then be revived so as to probe the mysteries of what lies beyond death, you might as well do so in a run-down, moodily lighted church while working at a hospital that looks like the offspring of a Renaissance art gallery, a brothel, and something Poe barfed up after doing too many shrooms.

You could use Flatliners to teach... the 1980's! Kiefer Sutherland, Julia Roberts, and Kevin Bacon BRING THE HAIR. So much hair. Such odd apartments. Kevin Bacon seems to live in an abandoned warehouse. William Baldwin seems to live inside a clock tower. Kiefer Sutherland seems to live in a set of rooms just vacated by Dave Bowman in 2001: A Space Odyssey prior to his transformation into the Star Child.

Joel Schumacher cues you as to supernatural shenanigans with colourful lighting. And what supernatural shenanigans! I enjoyed watching Kiefer Sutherland repeatedly pummelled by the ghost of a ten-year-old boy. Or is it a ghost? Time will tell!

Kiefer Sutherland has this outfit when we first see him... I won't spoil it. But it should go in the Smithsonian as an awesome example of late-80's chic. And Kevin Bacon rappels down from his apartment window at one point because this is what people did back then. Such, such were the joys! Recommended because it was terrible but fun.

Thursday, December 7, 2017

The Edge of Running Water (1939) by William Sloane

Even the cover is quiet. Too quiet...
The Edge of Running Water (1939) by William Sloane: William Sloane remains somewhat known today for this pseudo-science-fictional horror novel and To Walk the Night, another pseudo-science-fictional horror novel from the 1930's. They're both horror but very quiet horror -- Charles L. Grant would have been proud.

Filmmakers adapted The Edge of Running Water in 1941 as The Devil Commands, a solid and relatively faithful Boris Karloff movie with a completely anomalous title

The Edge of Running Water concerns the efforts of a scientist to build a machine that can contact the dead. He's motivated by the death of his wife from pneumonia. He has a strange woman as his helper. And he's called upon an old friend and former student he hasn't seen for years to provide some vital information needed to complete the experiment. Near a small town in the wilds of pre-Stephen-King Maine, the scientist's experiments have already attracted attention and rumour-mongering among that small town's residents.

And periodically, a strange thunder-like sound booms out from the scientist's house, a sound he will not explain to anyone.

The novel is long on mood and gradually-building suspense and somewhat short on actual scares. Sloane's first-person narrator -- that old friend -- can seem a bit glib at times, and perhaps even a little dense. However, that denseness works in the novel's favour when it comes to the cosmic horror that underlies the novel. 

Our narrator -- and, indeed, everyone else in the novel -- seems to be blithely unaware of the possibility that the experiment creates something much more disturbing than a telephone line to the dead. A terrible mystery may have been solved by the climax of the novel. But is a mystery solved when no one knows it, or at least admits to its solution?

Yes. Yes it is.

The Edge of Running Water is a quiet book, dominated at one point by an overly lengthy police investigation and throughout by the love story that develops between the narrator and the dead wife's sister, who has also come to find out what her uncle is up to.  Recommended.