Razorback (1984): adapted by Everett De Roche from the novel by Peter Brennan; directed by Russell Mulcahy; starring Gregory Harrison (Carl Winters), Arkie Whiteley (Sarah), Judy Morris (Beth Winters), Bill Kerr (Jake), Chris Haywood (Benny Baker), and David Argue (Dicko Baker): Absolutely bonkers Australian horror movie from director Russell Mulcahy, best known for the first Highlander movie.
Australian Gregory Harrison plays a grieving Canadian husband who travels to Australia to discover what happened to his American eco-activist wife. She disappeared in the Outback. Why? Well, it's really no spoiler to say that there's a giant boar (the Razorback of the title) rampaging around, killing people and smashing things. How big? Minivan big.
The movie's first scene sets the bar pretty high for crazy events and fast-paced action. The rest of the movie isn't that good, but it's pretty good. Harrison even has a surreal vision sequence while he's wandering the Outback. While it's set in the present, Razorback portrays rural Australia as one big Mad Max wonderland. It's marvelous, giant-monster fun. Recommended.
The Ritual (2018): adapted by Joe Barton from the novel by Adam Nevill; directed by David Bruckner; starring Rafe Spall (Luke), Arsher Ali (Phil), Robert James Collier (Hutch), Sam Troughton (Dom), and Paul Reid (Robert): Tense and gripping horror movie follows four 30-something British friends on their annual holiday together, this time into the woods in Sweden.
Adapted from a much more sprawling Adam Nevill novel, The Ritual explores that novel's themes within the context of films that include Deliverance and Straw Dogs, as the action tests the "manhood" of its protagonist. Rafe Spall plays that protagonist, guilt-ridden over a recent event involving these friends and starkly realistic in his fear and indecision. The acting by the six principal actors is believable and the action tense. There is something of a slow build for the first 45 minutes.
Gratifyingly, The Ritual avoids the stereotypes of the genre of Bad Camping Horror Movies. Well, except for the one in which people take a shortcut. But that is explained in the context of the events of the movie. It also works as a riff on masculinity and competence, much as the sidelining of Burt Reynolds' macho man in Deliverance does -- the competent man is perhaps not as competent as he seems, or the less competent man must rise up. Take it as you will.
Adapters Joe Barton and David Bruckner eschew some of the movie's more baroque climactic moments, probably with good cause -- faithfully adapted, The Ritual would be six hours long and have an hour-long climax. The monster is kept mostly shrouded, though its appearance at the end is a triumph of weird-creature design. Prior to that, the film does a nice job of playing hide-and-seek with glimpses of the creature, which has a disconcerting ability to be 'in the shot' without the viewer immediately realizing it... much less the characters. Highly recommended.
