Showing posts with label the texas chain saw massacre. Show all posts
Showing posts with label the texas chain saw massacre. Show all posts

Wednesday, July 2, 2014

Evil. Dead, Too!

You're Next: Written by Simon Barrett; directed by Adam Wingard; starring Sharni Vinson (Erin), Nicholas Tucci (Felix), Wendy Glenn (Zee), AJ Bowen (Crispian) and Joe Swanberg (Drake) (2011): The extremely well-off Davison family gathers at their parents' new country house to celebrate their mother and father's wedding anniversary. They really don't get along. And someone is watching them.

In an old-school sense, I guess this is the reliable Ten Little Indians set-up: characters will be picked off, one by one or in groups, with the major mystery throughout being the question of who and why this is happening. But the whole thing is made and acted with a fairly high level of skill. The gore, when it comes, often shocks; the characterization, when it comes, also shocks at a couple of key moments.

A lot rests on the likeability of Sharni Vinson as Erin, the girlfriend who's a guest of one of the Davison children. And she is quite likeable as an English literature M.A. student from Australia with a surprising skill set. The other actors do what they can with the cinematic shorthand required to quickly set up and then knock down a pretty large cast of victims and murderers.

The movie itself homages the first couple of Evil Dead movies as much as it does films like Texas Chainsaw Massacre, not in terms of including the supernatural but in terms of staging some fairly punishment-heavy battles between antagonists and protagonists. By the end, at least one character has moved pretty firmly into the Never-Say-Die territory occupied by Bruce Campbell's Ash in the Evil Dead movies. One bad guy gets fatally lobotomized by a blender. Another falls to a meat-tenderizing mallet. A third is lured to his doom by what seems to be a camera-flash homage to Rear Window. Need I say more?

There are flaws -- a bit more character development at the beginning would have more firmly set the stakes for the audience, and a couple of the deaths could use more finesse at both the writing and directorial ends. But most of the film works beautifully, including an increasingly ominous Chekov's Gun introduced about two-thirds of the way through the movie that generates a surprising amount of partially comic dread as one waits for it to go off. Recommended.

Saturday, November 23, 2013

The Texas Chain Saw Massacre (1974)


The Texas Chain Saw Massacre (1974): written by Kim Henkel and Tobe Hooper; directed by Tobe Hooper; starring Marilyn Burns (Sally Hardesty), Allen Danziger (Jerry), Paul A. Partain (Franklin Hardesty), William Vail (Kirk), Teri McMinn (Pam), Edwin Neal (Hitchhiker), Jim Siedow (Old Man), Gunnar Hansen (Leatherface) and John Dugan (Grandfather) (1974): 

One of the remarkable things about The Texas Chain Saw Massacre is how little graphic violence actually appears on screen. The makers pretty much manage what Alfred Hitchcock did in the shower scene in Psycho in terms of tricking the audience into believing it's seen terrible things that never actually appear on screen, but they do so for 90 minutes, not 17 seconds.

It's a terrific movie, filled with dread and grotesque comedy, terrible images, and sudden action. Reviewers who compared it to a nightmare were quite right, I think -- the suddenness of occurrences in nightmares, and certain things all people dream fearfully of, especially flight from something dreadful and perhaps inescapable. And then they woke up. Maybe.

Made for very little money, The Texas Chain Saw Massacre nonetheless doesn't seem low-budget. The acting is solid throughout; the grainy 16 mm film stock perfect for the grunginess of the environment the five unlucky travelers find themselves in. Hooper and company also conjure up a nightmarish soundscape meant to suggest what cattle would hear in a slaughterhouse. That works too.

The Texas Chain Saw Massacre made an astonishing multiple of its production budget in several theatrical releases in the 1970's and early 1980's. It kick-started what I tend to think of as The Bad Road-trip sub-genre in horror movies, one which thrives to this day. It also pretends to be a re-creation of a "true story" (it isn't), and it gives us one of the first iconic monsters in post-classical horror movies, the human-mask-wearing Leatherface. Who keeps a pet chicken in a bird cage. Seriously. And it's a weirdly disturbing moment, the revelation of that chicken.

Another reason I think the film disturbed so many is its attention to suggestively occult set design. There's nothing supernatural about the monsters in The Texas Chain Saw Massacre, but their interior decorating (well, and exterior decorating in a nearby cemetery) gestures towards a baroque world of fetishized death and decay.

Nearly 40 years after its release, The Texas Chain Saw Massacre remains an influential classic in any film genre. It's a work of transformative brilliance that ends with what feels like one long scream climaxing in a chase sequence that's like a horrifying Keystone Kops routine. John Laroquette supplies the opening voice-over narration, for which he was paid one marijuana joint. Groovy. Highly recommended.