Showing posts with label alec baldwin. Show all posts
Showing posts with label alec baldwin. Show all posts

Monday, February 9, 2015

Beetlejuice (1988)


Beetlejuice: written by Michael McDowell, Larry Wilson, and Warren Skaaren; directed by Tim Burton; starring Alec Baldwin (Adam), Geena Davis (Brenda), Michael Keaton (Betelgeuse), Catherine O'Hara (Delia), Jeffrey Jones (Charles), Winona Ryder (Lydia), and Glenn Shadix (Otho) (1988): Beetlejuice stands as testimony to the occasional correctness of the original formulation of Auteur Theory: that the Hollywood system allowed directors to be more stylistically themselves by taking away at least some of the decision-making about the manifest content of a film. Tim Burton certainly adds something to the mix, a very good something, but he's controlled in part by a witty, imaginative (and much rewritten) script. The result is one of the ten great horror-comedies of all time, concise yet packed with amusing detail and amusing performances. 

That the afterlife posited by the film is undeniably awful is part of the joke. All the performances sparkle, from Michael Keaton's anarchic Betelgeuse (more Joker than Batman) through skinny Alec Baldwin and young Amazon Geena Davis's bemused recently dead couple all the way to a young, Goth Winona Ryder, her annoying parents (including Catherine O'Hara in a rare film role as her art-world-pretentious mother), and the late, great character actor Glenn Shadix as unctuous hanger-on Otho (!). Cartoony as hell, and spiked throughout with amusingly rubbery stop-motion monsters and real-world monster make-up. The oddball insertion of a whole lot of calypso music just adds to the anarchic weirdness of the enterprise. Highly recommended.





Saturday, August 16, 2014

The Past is Prologue...to Adventure!

The Shadow: adapted by David Koepp from characters and situations created by Walter Gibson and others; directed by Russell Mulcahy; starring Alec Baldwin (The Shadow/Lamont Cranston), John Lone (Shiwan Khan), Penelope Ann Miller (Margo Lane), Peter Boyle (Moe Shrevnitz), Ian McKellen (Dr. Lane), Tim Curry (Farley Claymore), and Jonathan Winters (Wainwright Cranston) (1994):

This attempt to turn the 1930's pulp and radio hero The Shadow into a film franchise like the Batman movies failed at the box office. However, it's far from terrible. Alec Baldwin is solid as The Shadow and his alter ego Lamont Cranston, and Penelope Ann Miller and the rest of the cast do solid work as the Shadow's lieutenants, associates, and enemies. John Lone plays the Shadow's greatest enemy in the pulps, Shiwan Khan, with a light touch.

Actually, the whole movie may be a bit too light, both in tone and on action set-pieces. Still, compared to most current superhero movies, The Shadow seems like a masterpiece of plot and characterization. And there's a lot of acting and writing talent here, including welcome comic bits from Ian McKellen and Jonathan Winters. The Shadow's gal pal Margo Lane even gets to do things that don't involve screaming or fainting. Recommended.



Stand by Me: adapted by Raynold Gideon and Bruce Evans from the Stephen King novella "The Body"; directed by Rob Reiner; starring Wil Wheaton (Gordie Lachance), River Phoenix (Chris Chambers), Corey Feldman (Teddy Duchamp), Jerry O'Connell (Vern Tessio), Kiefer Sutherland (Ace Merrill), Richard Dreyfus (The Writer), and John Cusack (Denny Lachance) (1986):

An almost quintessential tale of childhood friendship was Rob Reiner's first box-office hit. The fictional Stephen King town of Castle Rock (a name King himself used as an homage to Lord of the Flies) appears here, and Reiner would name his production company after it because of the success of the movie. And that's what connects Lord of the Flies to Seinfeld.

Beautifully acted by all the boys, but especially River Phoenix and Wil Wheaton, who are both beautifully naturalistic, it's a short, jam-packed movie. Of course, the secret story of the movie is that there's a killer train wandering the woods around Castle Rock. It's already killed once, and it will try to kill again. As it's a vehicle that seems to be fixated on killing children, it may be the offspring of Christine and Pennywise the Clown. It will not stop if you are on the tracks. It will not even slow down. Highly recommended.