Goke, Body-Snatcher from Hell uses the always-reliable Stagecoach template here, with a limited number of characters randomly brought together by shared transportation (an airplane here, not a stagecoach, lifeboat, or spaceship).
That airplane soon crashes thanks to Goke's flying saucer. And the survivors are soon beset by problems from within and from without, way without, as Goke has landed on their island to tease and torment them with some Dope alien powers.
The whole thing makes for an effective horror ride with out-dated but often extremely effective visual and special effects. There's more than a hint of allegory as well, with the violence and confusion of the world of 1968 portrayed through assassinations, bomb threats, corrupt politicians, corrupt arms dealers, and an American woman recently widowed by the Viet Nam War.
Goke, Body-Snatcher from Hell is rumoured to be a favourite of Quentin Tarantino. At the very least, he included a Goke-like scene in Kill Bill 1 that involved a jet flight and a lurid orange sky right out of Goke. Fun stuff. And a special award goes to the grotesque visualization of Goke entering and leaving a victim's body, along with a terrific ending. Recommended.
