Hasty for the Dark: Selected Horrors

Hasty for the Dark: Selected Horrors (2017) by Adam L.G. Nevill: containing the following stories:

• On All London Underground Lines (2010): A bad day getting to work on the London Underground gets progressively worse. 
• The Angels of London (2013): Some cheap apartments come at a great cost. Manages to be both cosmically and normatively creepy. The characteristics of the apartment super will be reprised in No One Gets Out Alive, though not the actual character. He's a stunning bit of punk-Dickensian grotesquery.
• Always in Our Hearts (2013): Some cab drivers are jerks. Almost an EC Comics Revenge story.
• Eumenides (The Benevolent Ladies) (2017): Sometimes a zoo is not the zoo you expect. A fine Robert Aickman homage.
• The Days of Our Lives (2016): A really bad relationship.
• Hippocampus (2015): Something is wrong with the container ship.
• Call the Name (2015): A really solid H.P. Lovecraft homage using the lens of some contemporary thinking on evolution.
• White Light, White Heat (2016): A dystopic look at the politics and economic of publishing. 
• Little Black Lamb (2017): Murder sites and a dandy nod to Ramsey Campbell.

Overall: Highly recommended collection of horror stories from Adam Nevill running the gamut from the gross-out to the cosmic and visionary, sometimes in the same story. His grip on setting and the vagaries of disturbed though often sympathetic personalities is sure throughout, and none of the horrors are stereotypical; rather the opposite. This is Nevill's second collection from his own imprint, bringing the stories he wants to have collected up to the present-day (as of 2017, anyway).

If These Are The Chosen, I'd Rather Be Damned...

Movie (Spoilers!!!:

Knowing starring Nicolas Cage and Rose Byrne, directed by Alex Proyas (2009): When this movie goes completely off the rails with about 30 minutes to go, what results is one of the most laughable 30 minutes in bad movie history. And it's not like the first 90 minutes were all that great. Mysterious numbers left in a time capsule from 1959 accurately predict major disasters from 1959 to the present. Can widowed astrophysicist Cage save the world?

Well, no, but he does give a lecture on randomness vs. determinism to his astronomy class that doesn't actually explain either principle correctly. And he does reconcile with his pastor father approximately 30 seconds before a solar flare destroys the Earth. And angelic aliens do save his son and a few other people and animals to populate another Earth-like planet somewhere else. See, it's the story of Noah and the flood. Or maybe Sodom and Gomorrah. Or Adam and Eve. Or something. But the angels travel around in UFOs and, for reasons never explained, disguise themselves as people who can't talk and who drive around in what look to be 1970's era Crown Victorias.

There's a great moment when the aliens take Cage's son, a little girl, and two rabbits onto their spacecraft. Cage isn't allowed to go because he isn't one of the Chosen. Anyway, if this movie had had Captain Kirk in it, I imagine Kirk would have argued the angel-aliens into stopping the solar flare. Given that these beings have a fleet of spaceships and premonitory abilities, I have to figure they could stop a solar flare if they wanted to. So I imagine Kirk giving a rousing speech to the aliens/angels, at the end of which one of the beings says, "OK, we'll stop the solar flare. But we're keeping these rabbits!"

Apparently, Heaven exists, so the six billion people who die go to a better place. I don't remember the people left behind by Noah getting that sort of deal, Heaven not having been invented yet, so there is that. The whole thing ends up playing like one of C.S. Lewis's demented Christian science-fiction novels (Out of the Silent Planet, Perelandra, That Hideous Strength, for those who know only Lewis's Narnia books) in which aliens are actually angels. The aliens also travel around in a ridiculously complex looking spaceship that suggests they had a lot of free time to pimp out their ride while they were waiting for the apocalypse.

For all that, the movie is worth watching. There's a spectacular plane crash about 45 minutes in, and the whole thing becomes so ludicrous that it's enjoyable in a pompously, pretentiously overblown way. It's like an episode of the X-Files reimagined by Jack T. Chick.