Black Wings of Cthulhu 5 (2016) edited by S.T. Joshi

Black Wings of Cthulhu 5 (2016) edited by S.T. Joshi, containing the following stories:

• Plenty of Irem by Jonathan Thomas
• Diary of a Sane Man by Nicole Cushing
• The Woman in the Attic by Robert H. Waugh
• Far from Any Shore by Caitlín R. Kiernan
• In Blackness Etched, My Name by W. H. Pugmire
• Snakeladder by Cody Goodfellow
• The Walker in the Night by Jason C. Eckhardt
• In Bloom by Lynne Jamneck
• The Black Abbess by John Reppion
• The Quest by Mollie L. Burleson
• A Question of Blood by David Hambling
• Red Walls by Mark Howard Jones
• The Organ of Chaos by Donald Tyson
• Seed of the Gods by Donald R. Burleson
• Fire Breeders by Sunni K Brock
• Casting Fractals by Sam Gafford
• The Red Witch of Chorazin by Darrell Schweitzer
• The Oldies by Nancy Kilpatrick
• Voodoo by Stephen Woodworth
• Lore by Wade German

Another year, another superior Black Wings anthology of cosmic horror from editor S.T. Joshi. The 'of Cthulhu' is added to the trade paperback editions of these anthologies for commercial considerations, by the way. The hardcovers, per the originating H.P. Lovecraft quote, are simply Black Wings.

As is usual for Joshi anthologies, the stories range from good to excellent. Familiar names that include Caitlin Kiernan, W.H. Pugmire, and Darrell Schweitzer offer up superior tales of dark gods and that menacing, indifferent universe of cosmic dread. Sunni Brock offers a fresh take on Innsmouth, complete with what seems like a nod to the Japanese horror story that would become the American movie Dark Water (that story being "Floating Water" by Koji Suzuki). Schweitzer offers an ambitiously circular mise en abyme. Kiernan's background in paleontology informs the unfortunate findings of her characters. 

There's a sarcastic cheekiness to Nancy Kilpatrick's "The Oldies" that doesn't undermine the horror of its collision of Old Gods and traumatized people. As flies to wanton boys, and all that jazz. Jonathan Thomas (The Color Over Occam) offers a wry visit to Lovecraft's Kingsport that nods to the odd festival held there, and its odder participants, in a story whose droll tone resembles that of a vintage Clark Ashton Smith story like "The Seven Geases" or "The Tale of Satampra Zeiros." 

A couple of stories -- John Reppion's "The Black Abbess" and David Hambling's "A Question of Blood" specifically -- don't quite stick their landings as they embrace a little too much lack of closure. Still, they're worth reading, as the anthology is as a whole. And Wade German's concluding poem is a nice touch, especially given Lovecraft's embrace of weird poetry. Highly recommended.

Black Wings of Cthulhu 4 (2015)

Black Wings [of Cthulhu] Volume 4 (2015) edited by S.T. Joshi, containing the following stories:


Artifact by Fred Chappell
Half Lost in Shadow by W. H. Pugmire
The Rasping Absence  by Richard Gavin
Black Ships Seen South of Heaven  by Caitlín R. Kiernan
The Dark Sea Within  by Jason V Brock
Sealed by the Moon  by Gary Fry
Broken Sleep  by Cody Goodfellow
A Prism of Darkness  by Darrell Schweitzer
Night of the Piper by Ann K. Schwader
We Are Made of Stars  by Jonathan Thomas
Trophy  by Melanie Tem
Revival  by Stephen Woodworth
Contact  by John Pelan and Stephen Mark Rainey
Cult of the Dead  by Lois H. Gresh
Dark Redeemer  by Will Murray
In the Event of Death  by Simon Strantzas
The Wall of Asshur-sin  by Donald Tyson
Fear Lurks Atop Tempest Mount  by Charles Lovecraft 


Maybe not quite as good as previous installments in the Black Wings series ('of Cthulhu' is added in each case for the paperback publication; 'Black Wings' comes from a Lovecraft quotation about cosmic horror, a quotation that doesn't contain 'of Cthulhu,' whose wings I've always figured as being a dark, weird green, in case you were wondering). 

Or maybe I read too many new Cthulhu anthologies in too short a time.

There are stand-outs here from Kiernan, Brock, and Schweitzer. The latter's story features the real John Dee on the last day of his life, and it's a solid piece of cosmic quasi-history. The stories range from just this side of Lovecraftian pastiche to more elusive, allusive pieces of cosmic horror.

One thing I'll note again and again is that Lovecraft's literary children tend to be a lot more depressing than their progenitor. Several stories here feature the return of the Great Old Ones and the destruction of humanity, something Lovecraft never went through with. The depiction of these apocalypses never seems to equal what I imagine in my mind, leaving me a bit cold when it comes to the depiction of The Return of the Great Old Ones. Oh, well. Recommended.

Black Wings of Cthulhu Volume 3 (2014) edited by S.T. Joshi

Black Wings of Cthulhu Volume 3 (2014) edited by S.T. Joshi, containing the following stories:

Houdini Fish by Jonathan Thomas
Dimply Dolly Doofy by Donald R. Burleson
The Hag Stone by Richard Gavin
Underneath an Arkham Moon by Jessica Amanda Salmonson and W. H. Pugmire
Spiderwebs in the Dark by Darrell Schweitzer
One Tree Hill (The World as Cataclysm) by Caitlín R. Kiernan
The Man with the Horn by Jason V Brock: Weird horror with some nice stylistic touches becomes very (Harla) Ellisonian by the end.
Hotel del Lago by Mollie L. Burleson
*Waller by Donald Tyson: Interesting piece involving cosmic cancer gods and multiple realities. Great Shades of Mnagalah!
The Megalith Plague by Don Webb
*Down Black Staircases by Joseph S. Pulver, Sr.: Pulver works in a partial stream-of-consciousness mode here that's fairly unusual for cosmic horror.
China Holiday by Peter Cannon
Necrotic Cove by Lois H. Gresh
The Turn of the Tide by Mark Howard Jones
Weltschmerz by Sam Gafford
Thistle's Find by Simon Strantzas
*Further Beyond by Brian Stableford: Stableford continues the events of HPL's "From Beyond" in faithful, fruitful fashion.

Overall: Another solid entry in the ubiquitous Joshi's Black Wings series of original, cosmic-horror anthologies in the key of Lovecraft. 'of Cthulhu' is added to the title for paperback publication, for sales reasons I'd assume. Stand-outs are noted above. Recommended.

Back to Cthulhu

Black Wings of Cthulhu 2 (2012): edited by S.T. Joshi, containing the following stories: And the Sea Gave Up the Dead by Jason C. Eckhardt; Appointed by Chet Williamson; Bloom by John Langan; Casting Call by Don Webb; Correlated Discontents by Rick Dakan; Dahlias by Melanie Tem; Dead Media by Nick Mamatas; Houndwife by Caitlin R. Kiernan; King of Cat Swamp by Jonathan Thomas; The Abject by Richard Gavin; The Clockwork King, the Queen of Glass, and the Man with the Hundred Knives by Darrell Schweitzer; The History of a Letter by Jason V Brock; The Other Man by Nicholas Royle; The Skinless Face by Donald Tyson; The Wilcox Remainder by Brian Evenson; View by Tom Fletcher; Waiting at the Crossroads Motel by Steve Rasnic Tem; and When Death Wakes Me to Myself by John Shirley.

When it comes to both the general (horror fiction) and the specific (H.P. Lovecraft), S.T. Joshi's credentials are impeccable. His emendations and annotations to Lovecraft's fiction have been a gift to the reading public, as has his other work.

This is certainly a mostly enjoyable anthology with a somewhat misleading title forced upon Joshi by his publishers. The first of these anthologies was simply entitled 'Black Wings' in its original hardcover publication, a quotation from an essay by Lovecraft about horror. 'of Cthulhu' was added to the paperback release to grab the eye of the reader. However, the addition makes the title of the anthology somewhat erroneous. Writers riff here on all of Lovecraft's output, and on the more general aspects of his approach to cosmic horror. This isn't a Cthulhu Mythos theme anthology. So if you want a Cthulhu Mythos theme anthology, look elsewhere. It will probably also have 'Cthulhu' in the title. They're not hard to find.

None of the stories selected by Joshi are bad in the way that Cthulhu Mythos pastiches can be bad (though I'm definitely not alone in my enjoyment of even the most clumsy of attempts to replicate both Lovecraft's style and content). Really, none of them are bad at all. They do fall within a range that also fails to ascend beyond the level of, 'Well, that was enjoyable.'

But wait. Was I frightened by anything here in a cosmic, metaphysical manner? No. Steve and Melanie Tem's stories do disturb on a metaphysical level. John Shirley's piece is a delightful romp, but not a scary one. Jason Brock's "A History of a Letter" does a solid job as an epistolary work of mounting unease, though the jokiness of the footnotes cuts against total investment. Caitlin Kiernan's story does invest totally in its horrific elements, but it's a character study, not an exercise in terror.

Another problem shared by several stories is, well, an absent middle -- "Dead Media" and "The Abject" pretty much jump from detailed introduction to loopy conclusion. And the loopiness of both sudden conclusions works against horror. It doesn't help that "The Abject" has been critically overdetermined, starting with that title, which is actually attached to a large, scary rock in the story. I kept waiting for a Phallic Mother to appear and, you know, it sort of does.

Dire consequences await many of the protagonists of these tales, at a much higher rate of Dire than that found in Lovecraft's whole output. One of the things that you can count on in modern Lovecraft-related fiction is that down endings and cosmic disaster are the norm and not something that may arrive in the near future but does not arrive in the text itself. When the disastrous ending becomes standard, that standard becomes cliche.

It's an interesting development in horror fiction, suggesting that at least when it comes to the fiction they produce, an awful lot of today's writers are far more misanthropic and defeatist than the notoriously misanthropic and "futilitarian" Lovecraft ever was. Some of them make me long for the Derlethian deus ex machina that ended many (but not all) of Derleth's Lovecraft pastiches.

There may be a fairly high level of literary acumen on display here, but the endings too often echo the endings of the last twenty years of horror movies, in which supernatural evil always triumphs. And when evil always triumphs, as T.E.D. Klein noted in a riff on an earlier critic's musings, then I don't see what the point of the point is other than knee-jerk nihilism. Lightly recommended.