Showing posts with label body horror. Show all posts
Showing posts with label body horror. Show all posts

Wednesday, July 25, 2018

Der Farbe/ The Colour [Out Of Space] (2010)

Der Farbe/ The Colour [Out Of Space] (2010): written and directed by Huan Vu; adapted from the story by H.P. Lovecraft; starring Ingo Heise (Jonathan Davis), Marco Leibnitz (Armin Pierske - young) and Michael Kausch (Armin Pierske - old): Deliberately paced, excellent German adaptation of H.P. Lovecraft's pivotal 1920's tale of cosmic horror and bodily degeneration "The Colour Out Of Space."

The film-makers relocate much of the action to pre-WWII Germany, with an American prologue in and around Lovecraft's demon-haunted Arkham, Massachusetts. 

This transplant is a good idea because the German actors do occasionally have problems with a convincing American accent. On the other hand, Benedict Cumberbatch delivers a much worse American accent than any of the Germans in his portrayal of Dr. Strange, so perhaps throwing brickbats at the German amateurs here is a bit wanky on the part of the cranky wankers of Internet nitpickery.

Another good idea was to film everything in black and white except for the titular colour. This makes for a creepy contrast that rises above the very limited visual effects. The film-makers also compensate for a lack of funds by suggesting and implying rather than showing. This makes the horror more horrific when it comes. Would that all horror movies took such care regardless of budget!

I really liked the increasingly haunted and hollow look of the actors in the Pre-War section. They face a contamination from Outside that no one could be prepared for. Ants in a meaningless cosmos, some of them believe they are being punished by the Judeo-Christian God. Ha ha! As if you're that lucky you poor bastards!

The DVD, procured from our friends at the H.P. Lovecraft Historical Society (HPLHS), has the most interesting (and necessary) sub-titling mode I've encountered -- English sub-titles on only when people speak German. Unless you're fluent in German, use it. 

In all, this is an impressive piece of horror movie-making regardless of the budget. It's not intentionally 'retro' as the two movies actually produced by the HPLHS are, but the black and white certainly makes it feel partially retro, though the performances are pretty modern. A movie like this or the HPLHS Joints should show aspiring film-makers what can be done without a budget. Highly recommended.

Sunday, March 25, 2018

Videodrome (1983)

Videodrome (1983): written and directed by David Cronenberg; starring James Woods (Max), Sonja Smits (Bianca O'Blivion), Debbie Harry (Nicki), Peter Dvorsky (Harlan), Leslie Carlson (Barry Convex) , and Jack Creley (Dr. Brian O'Blivion): David Cronenberg's Lovecraftian tale of body horror, basic cable networks, sadomasochism, and transcending the body seems as fresh today as ever, even if the Toronto-based cable universe it depicts almost certainly seems quaintly foreign to most people under the age of 40. 

James Woods is tense and sweaty and confused as Cronenberg's semi-satirical take on Canadian TV pioneer Mose Znaimer, on the hunt in the early 1980's for the late-night soft-core pornography that pays the bills for his small TV station. In reality, these were City TV's Baby Blue Movies. In Videodrome, they become a gateway to another reality in which competing philosophies of New Humanity and its New Flesh are at war. 

Woods definitely delivers the greatest acting performance ever by someone playing a guy with a vaginal VHS slot in his stomach. Jack Creley is a hoot as Dr. Brian O'Blivion, Cronenberg's nod to the University of Toronto's media guru Marshall McLuhan, a media commentator who only appears on TV. That the malignant Videodrome signal emanates from Pittsburgh seems like another nod, to the hometown of horror/zombie-movie pioneer and visionary George Romero. Highly recommended.