Mayhem (2013) by Sarah Pinborough: Several of the characters in Mayhem were real 1880's Victorians, chief among them primary vocalizer (seriously) Dr. Thomas Bond, who worked for Scotland Yard in the 1880's and 1890's. Unlike most crime novels set in Victorian London circa 1888-89, Mayhem does not focus on Jack the Ripper.
Instead, Mayhem sends Bond and two others on a quest to discover the identity of a real, never-identified murderer who operated contemporaneously with the Ripper -- The Thames Torso Murderer. He or she got that name for dropping disassembled bodies into the Thames, the heads never to be found. The killer's most brazen act was dumping one body at the construction site of New Scotland Yard!
Sarah Pinborough does a nice job evoking the squalor and sorrow of the poor sections of London, setting them against the more refined social circles in which Bond moves in his civilian life. His work on the Ripper murders has already caused Bond to seek out opium as a relief as the novel opens. Things are going to get worse. Much worse. The Ripper is only a symptom of something in London -- the Thames Torso murderer is the cause. As skeptical as Bond may be of the supernatural, he will nonetheless have to face it before the novel ends.
Mayhem is sympathetic not only to Bond but to the female murder victims of the killer, some of whom receive chapters devoted, third-person, to their plight and to their fears and hopes. Pinborough also turns one of the unlikeliest suspects in the Ripper murders into a sympathetic, haunted figure essential to find the Torso killer. In all, a solid novel of crime and the macabre. Recommended.
Horror stories, movies, and comics reviewed. Blog name lifted from Ramsey Campbell.
Showing posts with label jack the ripper. Show all posts
Showing posts with label jack the ripper. Show all posts
Friday, July 12, 2019
Monday, June 1, 2015
H.G. Wells vs. Jack the Ripper
Time After Time: adapted by Nicholas Meyer from the story by Karl Alexander and Steve Hayes; directed by Nicholas Meyer; starring Malcolm McDowell (H.G. Wells), Mary Steenburgen (Amy), and David Warner (Stevenson) (1979): It's 1893. After a 5-year absence, Jack the Ripper has returned. And only H.G. Wells can stop him!
In this charming, clever time-travel story, writer H.G. Wells is a scientist as well as a writer. And he's built a time machine. And Jack the Ripper steals the time machine to escape the police. Once the machine returns to Wells' basement on automatic pilot, Wells follows Jack the Ripper to the future. So it's now 1979. And we're in San Francisco.
Malcolm McDowell makes the most of one of his rare heroic roles, playing Holmes as alternately bewildered by the future and fascinated by it -- though with that fascination comes a mounting level of disgust at the violent world of 1979. Admittedly, in the real world, Victorian London was far more violent than 1970's San Francisco. But we'll leave that alone. In the real world, Wells didn't build a time machine, either.
Mary Steenburgen is charming in only her second major screen role, playing a bank employee who falls for Wells, as he does for her. David Warner completes the trio of actors who take up most of the screen time. He's Jack the Ripper, who in his 'normal' life was a physician and chess-playing friend of H.G. Wells.
Nicholas Meyer adapts and directs the movie. He's most famous for writing and directing Star Treks II and VI, and sharing screen-writing duties on Trek IV. Some of his interests, including Sherlock Holmes (he also wrote two well-regarded Holmes novels), show up in this film. As well, a paradoxical bit involving eye-glasses shows up both here and in Trek IV.
Time After Time is a fun, fairly tight movie with a nice mix of comedy and suspense. Warner makes a good antagonist, especially as he towers over Wells (McDowell and Steenburgen are both 5'8", Warner 6'2"). The 'fish out of water' bits that involve Holmes are hardy comedy perennials, especially a trip to McDonald's and a climactic bit of business that forces Wells to drive a car. Thank heaven it's an automatic. Recommended.
In this charming, clever time-travel story, writer H.G. Wells is a scientist as well as a writer. And he's built a time machine. And Jack the Ripper steals the time machine to escape the police. Once the machine returns to Wells' basement on automatic pilot, Wells follows Jack the Ripper to the future. So it's now 1979. And we're in San Francisco.
Malcolm McDowell makes the most of one of his rare heroic roles, playing Holmes as alternately bewildered by the future and fascinated by it -- though with that fascination comes a mounting level of disgust at the violent world of 1979. Admittedly, in the real world, Victorian London was far more violent than 1970's San Francisco. But we'll leave that alone. In the real world, Wells didn't build a time machine, either.
Mary Steenburgen is charming in only her second major screen role, playing a bank employee who falls for Wells, as he does for her. David Warner completes the trio of actors who take up most of the screen time. He's Jack the Ripper, who in his 'normal' life was a physician and chess-playing friend of H.G. Wells.
Nicholas Meyer adapts and directs the movie. He's most famous for writing and directing Star Treks II and VI, and sharing screen-writing duties on Trek IV. Some of his interests, including Sherlock Holmes (he also wrote two well-regarded Holmes novels), show up in this film. As well, a paradoxical bit involving eye-glasses shows up both here and in Trek IV.
Time After Time is a fun, fairly tight movie with a nice mix of comedy and suspense. Warner makes a good antagonist, especially as he towers over Wells (McDowell and Steenburgen are both 5'8", Warner 6'2"). The 'fish out of water' bits that involve Holmes are hardy comedy perennials, especially a trip to McDonald's and a climactic bit of business that forces Wells to drive a car. Thank heaven it's an automatic. Recommended.
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