Where Furnaces Burn (2012) by Joel Lane, containing the following stories:
A Cup of Blood (2004), A Mouth to Feed by (2008), Beth's Law (2009), Black Country (2010), Blind Circles (2004), Blue Smoke (2012), Dreams of Children (2012), Even the Pawn (2012), Facing the Wall (2004), Incry (2011), Morning's Echo (2010), My Stone Desire (2007), Point of Departure (2012), Quarantine (2012), Slow Burn (2012), Stiff as Toys (1998), Still Water (2007),The Hostess (2010), The Last Witness (2010), The Receivers (2002), The Sunken City (2012), The Victim Card (2004), Waiting for the Thaw (2012), Wake Up in Moloch (2012), Winter Journey (2008), and Without a Mind (2012).
Winner of the 2013 World Fantasy Award for best collection, Where Furnaces Burn is a story cycle from the late and much lamented Joel Lane, England's horror-poet of the industrial, rusting North where much of this book is set. Where Furnaces Burn follows the police career of its first-person narrator in and around the Manchester area.
Lane tended to avoid long short stories, preferring to write short, dense works that nonetheless generally worked as stories and not as fragments of vignettes. That's true here -- though the stories form a larger pattern, they also for the most part stand on their own.
Here we deal again and again with horrors rising out of industrial decay, poverty, and modern alienation (and the protagonist may be the most alienated of them all). Lane's prose is superbly suited to his interests -- poetic at points, grim, and pragmatically matter-of-fact even in the most poetic moments.
These are supernatural stories, mind you, not simply hardboiled excursions into Northern English crime. Ancient horrors adapt to the modern world; new horrors are born. Lane's spiritual forebears include American Fritz Leiber, whose 1940 short story "Smoke Ghost" invented a new way of evoking the horrors of the industrialized world. They also include Ramsey Campbell and his groundbreaking 'kitchen-sink' horror that began in the late 1960's.
It's all disturbing, sad, and often strangely moving. But Lane also conjures up some fearsome horrors, whether newly minted or ancient and adapting to the Brave New Decaying World. It's brilliant stuff, and a fitting coda to a great writing career. Highly recommended.
Night Monsters (1974) by Fritz Leiber containing the following stories: The Black Gondolier (1964); Midnight in the Mirror World (1964); I'm Looking for Jeff (1952); The Creature from Cleveland Depths (1962); The Oldest Soldier (1960); The Girl with the Hungry Eyes (1949); and A Bit of the Dark World (1962) .
Leiber was probably the best writer of all those science-fiction and fantasy writers who collectively formed the 'Golden Age' of science fiction (basically, the 1940's) and went on to continue to define the genre(s) in the 1950's and 1960's. Indeed, his cynical, often dystopic takes on the future in his 1950's and 1960's work make him more at home in the company of writers who came of age in those decades, when Leiber (born around 1910) was already middle-aged and older.
Leiber came from a theatre family, and while that isn't much of a factor here, it was in other stories. He also corresponded with H.P. Lovecraft in the 1930's. He wrote several Lovecraftian stories over the course of his career, some pastiches, some revisionist takes that explored what one could do with cosmic horror.
"The Black Gondolier" was written for an Arkham House anthology, and it pays homage to Lovecraft in structure (and concluding italics) while nonetheless situating the horror within Leiber's expert, long-time evocation of terrible horrors with new, modern incarnations and meanings. Here, that places a strange and creeping horror somewhere in or below California's Venice (Beach) in the early 1960's, that odd and rundown simulacrum of Italy's Venice, but with way more oil wells.
Leiber ranges far throughout this collection, which samples Leiber's dystopic, sarcastic science fiction ("The Creature of Cleveland Depths," which somehow manages to satirize the current culture of the Smartphone), and his grimy urban twists on traditional horror tropes (the Ghost in "I'm Looking for Jeff" and the Vampire in "The Girl with the Hungry Eyes").
We also get cosmic horror that seems closer to Algernon Blackwood in "A Bit of the Dark World," all of it occurring in the sun-drenched hills above Los Angeles, a sort of cosmic Noonday Devil. Leiber's affection for mathematical problems and chess manifest in the oddly moving ghost story "Midnight in the Mirror World." Finally, we visit the time-spanning, reality-changing war of his Changewar series in "The Oldest Soldier," as the war between the time-travelling groups known as the Snakes and the Spiders wanders into a neighbourhood bar.
In all, this is a fairly representative sample of the breadth and depth of Leiber's decades of writing, with only his seminal and the career-long influence on sword and sorcery fiction being truly neglected. Highly recommended.
