Scary Monsters and Super Freaks

Birds of Prey (2020): [Cast and Crew]: Fun outing dominated by Margot Robbie's Harley Quinn, the best thing about 2016's misguided Suicide Squad. Having left the Joker and slightly reformed, Quinn ends up battling foul-mouthed Gotham mob boss Black Mask (an ebullient Ewan MacGregor, all f-bombs) for the life of an unfortunate pickpocket. 

Along the way, she teams up with Rosie Perez's jaded Gotham cop Renee Montoya (like Harley, originally created for Batman: The Animated Series), yet another Black Canary, and another Huntress. The Gotham City Police are especially hapless in this film. Batman and Commissioner Gordon appear to be on vacation for the duration. Recommended.

Brightburn (2019): [Cast and Crew]: Enjoyable, violent, terse story of an evil Superboy-type and the perils of parenting a super-powered sociopath. The end credits suggest a shared-universe sequel that would include Rainn Wilson's loopy vigilante from Super, also produced by James 'Guardians of the Galaxy' Gunn (though scripted by James in that case as well, whereas Brightburn was written by two of his brothers). Bring it on! Recommended.

Swamp Thing (1982): [Cast and Crew]: Totally solid B-movie from veteran horror director Tobe Hooper does a pretty faithful job of adapting the early issues of Len Wein and Bernie Wrightson's DC comic book Swamp Thing. 

Way, way better than the jumbled, misguided 10-episode Swamp Thing TV series of 2019. Louis Jordan makes a good villain as a much more urbane Anton Arcane than that in the comic book. Dick Durock is solid in the rubber suit as Swamp Thing. Adrienne Barbeau is fun as a gender-flipped Agent Cable. Would probably have been better if it had been R-rated to allow for more graphic violence, especially in the concluding battle between Swamp Thing and a mutated Arcane. Recommended.

Godzilla vs. Hedorah (aka Godzilla vs. the Smog Monster) (1971): [Cast and Crew]: Trippy late-stage Toho Studios Godzilla, now clearly a kid's series with an environmental message. Godzilla demonstrates a completely ridiculous ability to fly, a necessity when battling the high-flying Smog Monster. Hedorah's land-walking form looks a lot like Cthulhu after a week-long bender. Often intentionally funny, sometimes horrific, and sometimes with musical and animated sequences! Lightly recommended.

Swamped

Swamp Thing: Raise Them Bones: written by Scott Snyder; illustrated by Yanick Paquette and Marco Rudy (2011-2012; collected 2012): I'm not sure there was any character who more needed a clean reboot than Swamp Thing when DC implemented its line-wide 'soft' reboot late last summer. Alas, this was indeed a soft reboot -- apparently, pretty much everything that happened to Swamp Thing in 40 years of comic-book adventures happened to him anyway. It all just happened in five years. Or something. We still haven't really been told.

With this loopy, continuity-albatross around their necks, Snyder, Paquette and Rudy do a solid job of giving us a partially rebooted Swamp Thing who has yet to be Swamp Thing even though he already was Swamp Thing. I'm not explaining that last bit any further. Paquette and Rudy draw some lovely, gooshy creature work, and a suitably gloopy, grungy, fertile swamp environment; Snyder deftly sketches out characters who are both familiar and subtly changed.

Unfortunately, Swamp Thing, like a number of other New 52 titles, drops us into a lengthy storyline that, as of this writing, shows no signs of wrapping up any time soon. We're essentially reading the longest origin story for Swamp Thing ever written, by a factor of five or six and climbing.

And we're also in a storyline that intimately crosses over into an equally lengthy storyline in Animal Man. By the time it's all over, the opening storyline of the new Swamp Thing will also be the single longest Swamp Thing arc in comic-book history. I've enjoyed it so far, but I enjoy it less and less as I go along. None of the issues stand alone, and some of the issues require a parallel reading of Animal Man as well.

Frankly, Captain, I'm exhausted.

I'll keep reading, but I sincerely hope that after this enormous opening, we get a few stand-alone issues and short arcs. If we don't, here and elsewhere in the New 52 line, DC will founder on its new continuity with astonishing rapidity. Recommended.

Giant-size Swamp Thing

The Saga of the Swamp Thing Volume 5: written by Alan Moore, Steve Bissette, Rick Veitch, and John Totleben; illustrated by Rick Veitch, Steve Bissette, John Totleben, and Alfredo Alcala (1986; collected 2011): The penultimate collection of Alan Moore's career-making run on DC's Saga of the Swamp Thing sees Rick Veitch take over as primary penciller. As previous Swamp Thing penciller (and then-continuing cover artist) Steve Bissette notes in the informative introduction, Veitch's interest in science fiction over horror helped shift the book to a more science-fiction-oriented direction. But first Swamp Thing would travel to Gotham City for a fateful encounter with Batman. Then it was off into space for several issues for an odyssey that would conclude in the next volume.

The double-sized issue featuring Swamp Thing's battle with Batman is a doozy, showcasing as it does longtime Swamp Thing inker John Totleben's second full-art stint on the comic book. It's gorgeous: Totleben's art often looked like he was cutting his fine lines into wood or perhaps copper. It's elegant and old-school without being stiff or anachronistic. This was the time of Frank Miller's Dark Knight Returns, so Batman gets a really, really big Batmobile. However, Moore's Batman is much more sympathetic and fallible than Miller's -- and reasonable, in the end, as he and Swamp Thing ultimately resolve their differences without killing each other.

Subsequent issues further develop the character of Swamp Thing's beloved Abigail Cable, reintroduce two horribly transformed characters from Martin Pasko's early 1980's run on Saga, and bring us Swamp Thing's first foray into space travel. One can see Moore straining at the chains of the endless status quo of the mainstream superhero universe here. Things may return to the baseline at the end of each seemingly world-changing event, but logically they shouldn't.

Even if DC wouldn't soon anger Moore and cause him to leave the mainstream forever, one can't really believe, reading these stories, that he would have been much longer satisfied with 'The More Things Change, The More They Stay The Same.' Highly recommended.

The Saga of the Swamp Thing Volume 6: written by Alan Moore, Steve Bissette, and Rick Veitch; illustrated by Rick Veitch, Steve Bissette, John Totleben, Alfredo Alcala, and Tom Yeates (1986-87; collected 2011): And so Alan Moore's time as writer of DC's Saga of the Swamp Thing comes to an end after four years and nearly 50 issues'-worth of adventures. When he took over with issue 20, Moore was a British comic-book writer making his American debut. When he finished, he was the most praised writer of mainstream comic books in North America.

Swamp Thing's space odyssey continues, as the muck-encrusted Plant Elemental desperately seeks a way back to Earth and the arms of his beloved Abby. Meanwhile, on Earth, Abby believes Swamp Thing to be dead and starts to gradually move on with her life. Yes, they are literally star-crossed lovers.

The move into space brings Swamp Thing into contact (and occasionally conflict) with some of DC's Silver Age space characters, most notably Earth hero Adam Strange and a couple of really jerky Hawkpeople from Hawkman's planet of Thanagar. Swamp Thing also encounters a creepy machine entity in an artistic tour-de-force for Totleben, who illustrates an entire issue in the sort of heavy-duty collage that really does have to be seen to be appreciated, an issue that also allows Moore to cut loose with a long burst of prose-poetry meant to show the alien-ness of the issue's narrator, a world-sized machine intelligence pining for love in the lonely abyss of space.

Swamp Thing also encounters some of Jack Kirby's New Gods in an issue written by Veitch, one that showcases the more satiric, blackly comic and irreverent Swamp Thing that Veitch would be writing a lot more of when he took over from Moore as Saga writer with issue 65. Bissette's first full script sees Abby back on Earth encountering a character from the very beginnings of Swamp Thing back in the early 1970's, when it was written by Len Wein and illustrated by Bernie Wrightson. And there's a Green Lantern to be met before our hero returns home and Moore's stint as writer concludes with the lovely, elegaic "Return of the Good Gumbo." It was one hell of a ride. Highly recommended.

Swamp Thing

DC Comics Classics Library: Roots of the Swamp Thing, written by Len Wein, illustrated by Bernie Wrightson, Nestor Redondo, Mike Kaluta and Luis Dominguez (1972-1974, 1991; collected 2009): Swamp Thing (who never calls himself that) is one of those DC characters with a loyal following that stretches back 40 years to his first appearances. That's mainly thanks to the spectacular artwork of Bernie Wrightson, with an assist to the melodramatic writing by Wein, who makes Swampy into a brooding, quasi-Byronic hero. Well, if Byron were a scientist who'd been changed by a lab accident into a 7-foot-tall "muck-encrusted mockery of a man."

DC was cooking with gas in the early 1970's, the result of an influx of astonishing new writing and artistic talent. Marvel, mostly moribund, was in the process of becoming what DC had been -- a conservative comic-book company with a highly controlled house style for both art and story. Meanwhile, DC seemed to keep stumbling and bumbling along into mostly short-lived by influential and critically revered series. Swamp Thing was one of those.

Wrightson was great at grotesques, at horror and the macabre, and Wein supplied him with a ten-issue run of horror tropes for Swamp Thing (really Alec Holland, or so he thought at the time) to shamble into battle against, including a Frankenstein's monster, a werewolf, a witch, and a Cthulhoid monstrosity living in a mineshaft in Maine. Here, of course, the misunderstood monster is the hero, as are some of the monsters he first battles and then befriends. It's a horror-tinged paean to outsiders. Wrightson also gave of one of the most interesting artistic imaginings of Batman up to the time.

Some moments clunk, of course -- Wein was a young writer, and his solutions to some of the problems he creates for Alec Holland can be a bit on the ridiculous side. I'm also not entirely convinced Wein knew what "brackish" meant. So it goes. Wrightson would leave after ten issues, followed by Wein three issues later after a capable but not Wrightsonesque artistic run by Nestor Redondo.

The book would go on for several more issues, be cancelled, and return in the early 1980's to accompany the release of the woeful Swamp Thing movie. Eventually would come writer Alan Moore (Watchmen), with his entry into American comic-book writing coming on Saga of the Swamp Thing. But that was still nearly a decade away. This stuff, though, is golden. Muck-encrusted gold, but still. Highly recommended.